Description

The Stedman Proscreen PS-100 swaps the usual fabric screen for a louvered metal design, so vocalists can actually see the microphone through it while tracking. That open sightline isn’t just a convenience — it points to how the filter works. Instead of trapping air the way mesh does, the angled metal louvers redirect blasts of breath downward and away from the capsule, while letting the actual sound wave pass straight through toward the mic.

That distinction matters for anyone chasing an unprocessed vocal sound. Because the PS-100 doesn’t muffle or filter frequencies the way nylon screens can, you keep more of the natural detail in a performance, with less need to fix tone in the mix. It’s a straightforward way to tame p-pops and hard consonants during vocal or voiceover sessions without adding a layer of coloration between singer and signal.

Built from metal rather than fabric, the PS-100 is also just easier to live with long-term. There’s no membrane to stretch out, sag, or replace after heavy use. When it gets grimy from repeated close-mic sessions, a simple wash with soap and water brings it back to working condition. It’s a durable, low-maintenance accessory that’s built to stay in your signal path for years, not just get swapped out every few months.